LANA and WECAN

As the Board of LANA has examined how we can expand our influence through our Outreach working group, we have made a decision to put increased focus on exposing early childhood teachers to the lyre through making 7-string children's lyres available through our Lyre Rental program and by adding music and texts on the mood of the fifth and pentatonic music to our Music Sales offerings.  Along those lines, we have created an ad for the upcoming annual conference sponsored by the Waldorf Early Childhood Association of North America (WECAN) in February of each year. In addition, one of our local LANA Board members will have a table during the conference to distribute relevant information, to share sample copies of music, and to make children's lyres available for conference participants to try.

We wanted our members and friends to see the ad we placed so all of us can spread the word that LANA has a number of resources to support both lyre playing and singing for early childhood educators!

2023 LANA President's Letter

Dear Members and Friends of the Lyre Association of North America,

Witnessing the terrible conflicts and tragedies in our world today is making us more aware than ever of the importance of human connections that can bring comfort and solace to those in need. Many of us have found the soothing tones of the lyre to ease the stresses of our lives for ourselves and for those who are listening. The opportunity to bring the sound of the lyre to the children at Waldorf schools and to those attending religious services and concerts continues to bring joyful experiences to many of us. As we play for Advent gardens and various Christmas festivals this year, I hope that each of us can find peace and joy in our lives as well.

After a pause of three years, it was wonderful to finally have an in-person lyre conference this last summer! Those of us who were able to attend enjoyed the warmth of friendships renewed and fostered through the four days spent exploring the lyre tones and playing beautiful music together. The members of LANA’s Board of Directors were also able to meet together and make plans for furthering our mission with new initiatives and programs to support our members.

Through our website, we sell music and accessories to lyrists from all parts of the world, offer mentoring services, rental lyres for new lyre enthusiasts, and provide financial help to those who wish to travel to conferences and workshops.

It is our sincere hope that you have benefitted from your membership in LANA and might consider showing your appreciation through making a gift of any amount to further our mission. As we look toward the new year, we ask for your support. Even modest tax-deductible donations from our members and friends around the world are critically important in defraying the costs of accomplishing our mission.

We also invite our members to consider promoting membership in LANA among your lyre-playing friends so that more people can enjoy the community support of the ‘freed tone’ that is so rare in our world today.

With this mailing, we are happy to include a seasonal gift of music for all our members and friends to thank each of you for your continued financial as well as soul support for the work of the Lyre Association of North America!

With warmest regards and all good wishes for this Advent season, Holy Nights, and the New Year ahead,

Nancy Carpenter and the Board of LANA 

Welcome New LANA Board Member

Saeko S. Cohn

The Board of the Lyre Association of North America is very pleased to introduce our newest Board member, Saeko Cohn.  We invite all of our members and friends to read a bit about Saeko below.

A native of Nagoya, Japan, Saeko came to North America in her early 20's to study literature at the graduate level. She met anthroposophy through becoming a mother, and soon, the lyre came into her life. She had played the piano since childhood and the flute since age 15, but she had never thought of pursuing music professionally. However, after she bought a 7-string pentatonic lyre for her son's third birthday and began to play it, Saeko decided to devote the rest of her life to promoting music through the modern lyre. Her first lyre teacher was the late Kerry Lee, and after Kerry's passing, she has continued studying the lyre with such experienced teachers as Martin Tobiassen, Christian Giersch, Veronika Roemer, and Hajime Kira. Saeko regularly travels across the Atlantic to attend lyre seminars focused on solo and ensemble performance, repertoire building, accompanying eurythmy with the lyre, and teaching the kinderharp to children. Over the years, she has developed special affinity for planetary (mirrored) scales, the Mood of the Fifth, and the Maria Renold tuning.

Music Review: Bielharz – ‘Beispiele 2’

Beispiele 2 Studien und Spielstucke fur Mehrere Lehrern

Review by Sally Willig

As we know, one of the joys of playing lyre is the experience of playing in community with others.  From the introduction to these pieces, Gerhard Beilharz explains that this collection was intended to satisfy the needs of lyre players of all levels to be able to play together.  In keeping with this intention, the composers who contributed to this collection made their arrangements accessible to all skill levels so that even a beginner could participate and enjoy the experience of ensemble playing. In Beispiele 2, we find a compilation of pieces from some of our most popular composers, namely, Christof-Andreas Lindenberg, Julius Knierim, Christian Giersch, Raimund Schwedeler, Gotthard Starke, Jan Nilsson, Lothar Reubke, and Pär Ahlbom.  Most of the pieces can be played either by single instruments (for example, one soprano lyre & one alto lyre), or by larger ensembles, with more lyres on each part.

The opening piece is Christof-Andreas Lindenberg’s “Explore the Lyre” for soprano and alto lyres, a lovely piece with moving arpeggiated lines and a recurring motif that seems to answer the arpeggiated melody.  There follows “Kanon Zu Ostinato” by Julius Knierim, which features a canon in D Major over an ostinato of the Tao tones.  It is suggested that the ostinato in this piece is accessible to beginner lyrists.  There follows a set of short pieces by Christian Giersch for soprano and alto lyre, including two Kanons that appear in a fairly straightforward way, suitable for all levels of lyre playing in their simplicity.  “Morgenstimmung” by Raimund Schwedeler, begins with a simple theme played in unison with soprano and alto lyre followed by more richly textured variations, and then ending with a final arpeggiated variation for soprano lyre(s).  Following this, Gotthard Starke gives us “Studie” for two soprano lyres.  There is also a small set of pieces from Jan Nilsson that makes use of other instruments in addition to the lyre: “Music für Leier und Klangspiel,” in which Klangspiel is the top voice over soprano lyre, and “Kanon”, in which the top voice is indicated for flute, the middle voice for violin, and the bottom voice for alto lyre. Another set of pieces by Lothar Reubke is written for three lyre voices. “Spielstuck für Klangspiel und Leiern” is written for Klangspiel in the top voice with lyre parts below.  “Übung fur Leirchoir” and “Speilstuck für drei Leiern” are for soprano and two alto lyres. “Tageslauteby Pär Ahlbom, in which the sounds of each day of the week are compressed into short little pieces, is the final composition in the collection.  According to the introduction, it is thought that this piece was written for a special glockenspiel in the town hall in Västerås, Sweden.

Since I have played several of these pieces in ensembles over the years and received positive feedback from audiences, I can attest to what a wonderful collection this is. It is also very convenient to have these pieces together under one cover to draw from. 

Please note that this collection is currently on sale in our online Music Sales collection. 

Remembering Susan Starr on All Souls Day

Susan Starr with Puppets

It is with sadness that we must share the news of the recent passing of LANA member Susan Starr – beloved daughter, sister, teacher, mentor, and friend, who crossed the threshold on her 73rd birthday, March 20, 2023, in La Mesa, CA.

Susan was devoted to the lyre and was a supporting member of our Lyre Association for many years.  During those years, she enthusiastically participated in LANA conferences whenever she could to further her musical experience and education.

Susan Starr, Lyre Day 2021, with children playing the lyres Now donated to Lana

As a beautiful example of her generous nature, Susan donated the following lyres to the Lyre Association of North America through her estate, to be used in our Lyre Rental service to members:

  • Tir-anna extended soprano lyre

  • Rose lyre

  • Auris pentatonic children’s lyre

  • Gaertner 12-string diatonic lyre

The following account of her memorial service and life sketch was recently sent to us by a good friend of Susan’s, and we would like to share it with all of our members and friends:

Susan's memorial service filled the auditorium of the Waldorf School of San Diego with well over 100 in attendance. Friends from her school days in Chula Vista, her fellow teachers, students, and their parents as well as Anthroposophical Society members and her extended family shared memories of her many loving and thoughtful deeds. It was especially memorable to hear stories of Susan’s early life from her father. Susan's legacy to us all is the generosity of her "willing", her "doing", and her open-heartedness. 

Susan was born to Yvonne and Don Starr, March 20,1950, in Chula Vista, CA. She was the second of three children.  She attended Hilltop High School and graduated from Southwestern University in Chula Vista with a major in Humanities in 1972.  From there, she spent seven years living in British Columbia, Canada, where she discovered anthroposophy and the Christian Community. She was attending Simon Fraser University as a Kinesiology major when she became interested in early childhood education and eurythmy. She decided to pursue eurythmy training.  She met and married a fellow eurythmy student. After her marriage ended, she completed the Waldorf kindergarten training.  In 1985, she was a pioneering faculty member of the Early Childhood Program at the Princeton, New Jersey Waldorf School, where she stayed until 2002.

Susan eventually returned to San Diego and taught for a year at the Sanderling Waldorf School before moving to the Waldorf School of San Diego, where she was the lead teacher in the Rosemary Kindergarten until 2014.

She went on to mentor Waldorf kindergarten teachers and families all over the US and in China.  She was known by everyone for her incredible talent and generosity in puppetry arts.  She shared puppet making and puppet shows every chance she got.

Susan learned to sail from her father, who has since followed Susan across the threshold on September 19, 2023.  She loved to take friends out for a sail on the San Diego Bay.  She was a talented singer and lyrist, even playing lyre in her apartment courtyard for neighbors during the lock down. She gained permission from her landlord to plant beautiful flower gardens all around her apartment complex.  She sang with an a cappella group in which her mother had also sung when she was alive. She was an award-winning equestrian in her youth.  She was a vegetarian and supported many charitable causes, including animal rights groups. Every year she walked to raise money for the Anthroposophical Prison Outreach. 

Susan was a wonderfully gifted and generous-hearted friend.  She is dearly loved and greatly missed.

Some further personal reflections follow here:
From Heide Radcliff, Princeton Waldorf School, NJ
Susan was the hardest working kindergarten teacher that Princeton Waldorf School ever had. She was essential in building up the N-K program at the Princeton Waldorf School. 

Susan had 24 students and managed her class and each child with great sensitivity and skill. Each child received a hand sewn doll or figure for his or her birthday. When my daughter lost her Mashenka, Susan had the “Gnomes” make another one for her, and it was not even Karla’s birthday when this occurred.

Susan had each child in her heart and suffered when she felt that a child was not taken care of in the most nourishing and healthy way. In the early mornings, Susan even assumed care for a little boy until he was picked up by the school bus to get him to his special school. 

Susan made the role of being a kindergarten teacher into her life while she was in Princeton. 

From Diane Barlow, Princeton Waldorf School, NJ
Our dear Susan. My fondest memories were when she was teaching in a rented church space, and on some Fridays, she had to pack up her entire classroom to make way for church-sponsored activities. She was so devoted to the children and the program that she did this without complaint, even though it was a big deal. 

From Sheila Johns, LANA member and fellow teacher in Mainland China
Susan had a great love for the lyre, though she always regarded herself as a student.  She participated in many conferences of the Lyre Association as well as the Association for Waldorf Music Education because she was passionate about music and self-education.  Although not an official host, when AWME held summer conferences at the San Diego Waldorf school, Susan made herself available to help and support our efforts in every way possible. When Andrea Lyman, president of the Association for Waldorf Music Education, and I traveled to China in 2016 to initiate the first formal training in Waldorf Music Education there, we were delighted to find that Susan was staying in the kindergarten building where we would be teaching, having proceeded us by several weeks.  She enthusiastically ‘showed us the ropes’ in many of the practical areas that were foreign to us, for which we were deeply grateful, and both Andrea and I were impressed with the natural authority and genuine respect that she had earned from Chinese kindergarten teachers not only in the south where we were, but throughout China, where she was well-regarded and invited for return visits. I saw a whole new side to Susan during the time we were together in China.  It has been lovely to reflect on this experience, as it ended up being the last time I saw her.

Susan’s love for life, for music, and her devotion to the protection and nurturing of the children who crossed her path over many decades will be a legacy that will live on well past her many years of service here on earth.  Especially at this All Soul’s time of the year, we are remembering Susan and feeling blessed to have had her as a colleague and a friend.

Request for Reviews, Photos, and Impressions ...

… of the Lyre 2023 Summer Conference

From July 30 through August 3rd, LANA was very grateful to be able to host our first Lyre Conference since 2019 in upstate New York. We are planning to devote our next blog to a review of this conference, and we are inviting any members or friends who were in attendance to consider writing a few paragraphs to contribute to our content. Feel free to just write about one aspect, including our two public offerings, or to characterize the whole. In addition, we will have many more photos to share! If you attended the conference, please send your contribution to lyrists@gmail.com by Friday, November 10th.

Sheila Johns and Marcela Paz Moreno

Public Sharing

2022-23 Annual Report

In case you missed our recently released Annual Report
here is another link to it.

The Report gives a rich description of the various initiatives of the Lyre Association, carried by the Board working groups in our Cultural, Economic, and Rights realms. These reports were also shared verbally in our first-ever hybrid Annual Members' Meeting that preceded the Conference.

Annual LANA Members' Meeting - on Zoom and In-Person in Ghent, July 30 at 4:15 pm

LANA members and conference participants and are warmly invited to join us for our Annual Members' Meeting on Sunday, July 30 at 4:15 pm EDT.  The currently serving LANA Board of Directors will be introduced, and Board Officers for 2023-24 will be announced. In addition, we will welcome reports and updates from all regions of North America.

This will be a hybrid meeting, where members will also have an option to attend by zoom. If you are a LANA member who is unable to attend the conference, please consider joining us by zoom at 
this link

Lyre and Singing Performances at the Conference, Aug 2-3

Aug 2nd (7:30 pm) and 3rd (9:30 am), Hawthorne Valley Waldorf School

The Lyre Association of North America warmly invites you to join us for a special public concert on the evening of Wednesday, August 2nd, at 7:30 pm in the HVWS music room. We will feature the music of Maria Schüppel and Channa Seidenberg, anthroposophic composers who have left us a rich musical and therapeutic heritage. A free-will donation will be asked.

We are also offering a public performance for children of all ages on Thursday morning, Aug 3rd, at 9:30 am in the HVWS music room, where we will share the Celtic legend The Children of Lir, with music composed by Maria Schüppel and directed by Marcela Paz Moreno. This will feature music sung and played by Lyre Conference participants (including youth) and narration by Laurie Portocarrero.

Used Alto Gaertner Lyre for Sale

Used Alto Gaertner Lyre for Sale

Used Gaertner Alto Lyre for Sale

Lightly used and lovingly cared for, this lyre is in pristine condition.

  • The lyre was built in 1988 and has a range of E-f'' (38 strings).

  • It comes with a hardshell case which is in perfect condition (the cloth cover is slightly ripped) and a tuning wrench.

  • Asking $3,500 and will pay for shipping within the U.S.

Please contact Tamara Tsoutsouris at (917) 658-7619 or ttsoutsouris@yahoo.com for more information.

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LANA SUMMER LYRE CONFERENCE 2023

Sunday, July 30th (3 pm) – Thursday, August 3rd (12:30 pm)
Hawthorne Valley School, 330 County Road 21C, Ghent, NY 12075

Celebrating the Lives and Musical Contributions of Two Anthroposophic Music Therapists:
Maria Schüppel and Channa Seidenberg

Composers, educators, performers, and anthroposophic music therapists who lived and worked actively on either side of the Atlantic throughout decades of the 20th and early 21st centuries into their 80’s, Maria Schüppel and Channa Andriesse Seidenberg were pioneers in their work with the lyre and the music therapeutic impulse born out of anthroposophy. 

After three years of being unable to hold our summer lyre conferences in the US, members and friends of the Lyre Association of North America will gather this summer in Harlemville, New York, on the campus of Hawthorne Valley Waldorf School to celebrate the lives and work of these two important anthroposophic music therapists.  Both women were performers, Maria as a pianist and lyrist, and Channa as a vocalist and lyrist.  Both were innovative teachers, who created their own courses and trained students in various aspects of music out of anthroposophy. And both women were versatile composers, whose beloved works have been appreciated and taken up both in Europe and in the North America. Each wrote particularly for the lyre and voice and, through these two separate and combined mediums, made important contributions to the understanding of how music affects the healing processes in the human being.   

Presenting at this summer’s conference will be two musicians who have worked particularly with the music of Maria Schüppel and two musicians who have worked extensively with the music of Channa Seidenberg. 

  • Christina Porkert was a student of Maria Schüppel at the Musiktherapeutische Arbeitsstätte (Center for Music Therapy) in Berlin and later being the co-founder with Christof-Andreas Lindenberg of the first English-speaking anthroposophic music therapy trainings, the Dorion School of Music Therapy.

  • Marcella Paz Moreno became an enthusiast and performer of some of Maria Schüppel’s music in Europe after her own traditional music training. Part of the music that we will take up together at our conference is a work called the Children of Lir with which both Christina and Marcella has extensive experience.

  • Diane Ingraham Barnes is a fellow singer and was a colleague of Channa Seidenberg over many years, who worked particularly with Channa’s vocal music and songs composed for children in the Mood of the Fifth.  

  • Sheila Phelps Johns was a student as well as a colleague of Channa’s for several decades, co-creating a foundational course in music out of anthroposophy, which they taught together for over 12 years, working with both composed music and improvisational techniques for artistic and therapeutic purposes.

 During our days together, we will explore both vocal and instrumental music composed by Maria Schüppel and Channa Seidenberg, exploring the artistic as well as the music therapeutic contributions of each composer that have left such a rich musical heritage to be further developed by those of us who appreciate the extraordinary musical legacies of Maria Schüppel and Channa Andriesse Seidenberg.  

Please save these dates and plan to join us in Harlemville, NY at the end of July for this special celebration of the lives and musical contributions of these two important visionaries of anthroposophic music therapy!